With the working title "Dragon Spring Phoenix Rise," it will feature songs by Sia, movement and aerial choreography by Akram Khan, and production design and costumes by Tim Yip ("Crouching Tiger, Hidden Dragon"). Theater director Chen Shi-Zheng will present an immersive multimedia interpretation focused on "a Chinese myth about a sect in Queens that holds the power to extend human life," according to The Shed. "Soundtrack of America" is one of several inaugural commissions for multidisciplinary arts venue The Shed, which is slated to open in spring 2019 on Manhattan's west side in a building designed by Diller Scofidio + Renfro.Īmong other commissions announced so far, poet Anne Carson will bring the partly spoken, partly sung performance piece "Norma Jean of Troy," featuring actor Ben Whishaw and soprano Renée Fleming, while "Reich Richter Pärt" will examine the shared language between painting and music in two parts: one collaboration between composer Steve Reich and artist Gerhard Richter, and another between Richter and composer Arvo Pärt. Regional: Lempicka (Williamstown) Girls (Yale Repertory) Angels in America, An Octoroon (Berkeley Repertory) The Bluest Eye (Guthrie) Graveyard Shift (Goodman) Skylight (McCarter) Measure for Measure (California Shakespeare) Djembe! (Apollo Chicago) Zoyka’s Apartment (Princeton University) Our Country's Good, Side Show (Brown/Trinity Repertory) Madiba (Kennedy Center) & a number of shows at the Yale School of Drama.This content is not available due to your privacy preferences. Off-Broadway: Ain't No Mo' (Public) Fairview, Is God Is (Soho Rep) A Strange Loop, Selling Kabul (Playwrights Horizons) The House That Will Not Stand, Red Speedo, Nat Turner (NYTW) Fabulation, The Death of the Last Black Man, In the Blood (Signature) Fefu and Her Friends, He Brought Her Heart Back in a Box (TFANA) Pipeline, Epiphany, Ghost Light, War (Lincoln Center) ’ Daddy’, Sandblasted (Vineyard) Dragon Spring, Phoenix Rise (The Shed) Eddie & Dave (Atlantic) Orange Julius (Rattlestick/) Distances Smaller (Advanced Begginer Group) The Last Match (Roundabout) & O, Earth (Foundry).
Dragon spring phoenix rise nyc the shed skin#
Harris, director Dustin Willsīroadway: A Strange Loop, The Skin of Our Teeth Grass, written & directed by Branden Jacobs-Jenkins, Signature Theatre (May 2023)Ī Boy’s Company Presents: ‘Tell Me If I’m Hurting You’ by Jeremy O. Jackson, director Lileana Blain-Cruz, Vineyard Theatre (April 2023) TRADE // Mary Motorhead, opera by Emma O’Halloran, libretto by Mark O’Halloran, director Tom Creed, PROTOTYPE & Irish National Opera (Jan 2023)Ĭhampion, opera by Terrence Blanchard, libretto by Michael Cristofer, director James Robinson, Metropolitan Opera & Lyric Opera of Chicago (April 2023 & January 2024)
Plays For the Plague Years by Suzan-Lori Parks, director Niegel Smith, Public Theatre (November 2022) Montag by Kate Tarker, director Dustin Wills, Soho Rep (October 2022) The Ripple, The Wave That Carried Me Home by Christina Anderson, director Miranda Haymon, Berkeley Rep & Goodman Theatre (September 2022 & January 2023) Obie Award: A Strange Loop & He Brought Her Heart Back in a Box Lucille Lortel Award: The House That Will Not Stand Henry Hewes Design Award: Ain’t No Mo’ & Fefu and Her Friends Sam Norkin Special Drama Desk Award: Fairview, The House That Will Not Stand, Fabulation, Or the Re-Education of Undine, Eddie and Dave, ‘Daddy,’ & Ain’t No Mo’
Tobin Curatorial Intern at the McNay Art Museum in San Antonio, Texas. Prior to attending Yale, he was the Robert L. His grandmother, a lampshade artisan, inspired an early love of fabric, color, and beauty. Montana is a graduate of the Oberlin Conservatory of Music (BM Oboe Performance), Oberlin College (BA History), Brown University (MA Public Humanities), and the Yale School of Drama (MFA Design). Montana is a costume designer from Albuquerque, New Mexico. ‘He’s a conceptualist who approaches clothing as adornment, as artifact, as potential signifiers of ambition, anxiety, desire.’Īlexis Soloski, New York Times Feature Article ‘If a picture is worth a thousand words, a Blanco costume is worth considerably more.’ĭrama Desk announcement of the Sam Norkin Award
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